On the second song of her forthcoming album, Sarah Jarosz sings with almost mystical intrigue. That the tune, Green Lights, is wrapped discreetly in reverb and has its delicate folk fabric colored modestly by electric guitar presents a paradox. In terms of storyline, it is remarkably grounded – romantic, but not for an instant sentimental. Yet the music all but leaves the earth to embrace a ghostly ambience that presents a lean but very atmospheric contrast to the rest of the spare acoustic framework to the album, which is aptly titled Undercurrent.
To those that have followed Jarosz’s music through her three previous albums (a remarkable discography considering she is only 24), Undercurrent will seem a logical progression in the ascent of one of the most heralded young songsmiths of the past decade. But for Jarosz, a Texas native who recently graduated with honors from the New England Conservatory of Music and subsequently established a new home base in New York City, Undercurrent is very much an emancipation.
“The headspace for this record was just being here in the city, living here for the first time and having, actually, a lot of solitary time,” said Jarosz, one of the artists performing at Sunday’s live broadcast of Mountain Stage from the Singletary Center for the Arts. “For the first time, I’ve lived by myself here. Really, in a way, this feels like a first album in a sense in that it was the first time I had all my time dedicated to focusing on writing and recording the record, whereas before it was running between classes and kind of fitting it in somehow. I felt more focused on it this time than I think I ever have before.
“This was also the first time that I really thought about the songwriting in a way that was more like a craft, whereas before it was kind of, ‘Okay, whenever the inspiration comes and whenever I have the time to kind of season it.’ This time around, I actually had the time to work at it every day. I feel that comes through on the record. I live on the Upper West Side and spend a lot of time walking around the Central Park reservoir. That really influenced a lot of the imagery on the album.”
Before New England and before New York, there was, for Jarosz, Texas – specifically the Hill Country near the center of the state and the neighboring music metropolis of Austin. She was versed enough on mandolin, clawhammer banjo and guitar to play her first bluegrass festival by age 11 and was signed to the established Americana label Sugar Hill to record her debut album at 16.
“I was talking with (Kentucky born songwriter and instrumentalist) Darrell Scott, who really believes the landscape of where someone grows up ultimately affects the music that they make and shapes them as a musician. I totally believe that in terms of growing up in the Texas Hill Country. It was kind of the rawness of that landscape, of Texas in general. It’s flat but it’s also hilly and I totally think that influenced that kind of music, that acoustic kind of raw music that I was drawn to, especially early on. I lived it every Friday night going to a weekly bluegrass jam. That totally shaped me.
“Last week, I was performing at (the renown Austin music festival) South by Southwest. It’s always good for me to go back to Texas and be reminded about how much I was influenced by that scene down there. It was kind of full circle for me because it was the first time that I performed many of these songs from the new record. It’s good to be reminded how that region is always going to be a part of me and my identity.”
Mountain Stage with Sarah Jarosz, The Black Lillies, Steve Forbert, Over the Rhine and Robbie Fulks. 7 p.m. April 3 at the Singletary Center for the Arts, 405 Rose St.
Tickets: $25 advance, $30 day of show. Call 859-257-4929 or go to etix.com.