in performance: amanda gardier

Amanda Gardier. Photo by Tim McLaughlin.

The performance appeal and accessibility of Amanda Gardier was established within the opening moments of a set (the first of two) Friday evening at Tee Dee’s Bluegrass Progressive Club. The tune that placed the introduction in motion was “Fjord,” an original composition by the Indianapolis based alto saxophonist that revealed a respect for melody – specifically, a rolling, descending riff with a hint of Latin flavor. It affirmed an instrumental voice that was subtle, tasteful and a touch restless.

Though she would eventually establish as assured command of bop and swing, Gardier never overplayed her hand. There was a lightness in her playing that made brash, exploitive runs on the sax unnecessary. Instead, much of her set revealed an alto sound of often graceful ease, whether it was through the more boppish inclination of standards like “Beatrice” or the more autumnal luster of originals like “Smoke.”

But this wasn’t pop or fusion-esque lyricism at work. As melodically spacious as her playing was, Gardier also exhibited inventive twists of tempos and dynamics within a solo, especially through the darting, punctuated runs that ignited a nimble reading of “You and the Night and Music.”

Gardier had considerable help in piloting such an intriguing set. The prime foil within her onstage quartet was guitarist and husband Charlie Ballantine, a player with zero interest in fusion-style flamboyance in his soloing. Instead, he employed a modest touch of echo to frame solos as well as rhythmic passages, which, in their more spacious moments, nicely recalled the electric taste of the late John Abercrombie.

Such accessibility served Gardier well. As the second featured artist in the third season of the Origins Jazz Series, she is largely unknown in Central Kentucky. By exhibiting a conservable level of solo and ensemble ingenuity that respectfully honored groove and melody without surrendering to them, she offered a performance introduction that tastefully calls for a follow-up visit.



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