the family that plays together
OK, let’s address the seemingly biggest shift in Mates of State’s music right off the bat.
Since its inception over a decade ago, the husband and wife duo of Jason Hammel and Kori Kardner constructed their luminously bright indie pop songs almost exclusively on drums and keyboards. And not just any keyboards, mind you - but a ‘70s organ with a huge, swelling and marvelously organic sound.
Hammel and Kardner wrote songs on it. They recorded with it. They dragged the thing out on the road. As the duo’s popularity grew, the organ became viewed as one of the most recognizable, distinctive and ultimately essential components of the Mates of State sound.
So why is it then that the instrument’s presence on the band’s new Re-Arrange Us album has been so severely downsized? The reason boils down to an ages-old artistic urge: the desire for change.
“We had been writing songs on that big, vintage organ for over four albums now,” Hammel said. “And we were like, ‘You know what? We’re getting kind of bored with this sound. Let’s use a bunch of other sounds and see of we can still maintain the energy of Mates of State.
“That was our biggest concern. Was the organ - or the lack of it, really - detrimental to that energy? Thankfully, we found out that it wasn’t.”
That explains why the first thing you hear as Re-Arrange Us comes to life isn’t organ, but a gentle, solitary hammering of piano. But when Gardner’s soothing vocals and the equally evocative pop melody of the album’s lead-off tune, Get Better, kick in, you realize what really rules Mates of State’s sunny, though sometimes bittersweet sound: vocals and truckloads of alert pop hooks.
In short, the real change on Re-Arrange Us isn’t in the band’s overall sound, but in the choice of tools employed to create it.
“We found out it was the vocals that really explained what we are,” Hammel said.
And the pop sensibility within the band’s music? Hammel confessed that evolved over time and a few fairly unexpected influences.
“You would be surprised. I listened to a lot of metal when I was in junior high. Then I got into skateboarding, so I got into skate punk. When I got into college, I started listening more to college indie rock. Once I got out, that’s when I started to get into the more classic music by Leonard Cohen, The Beatles, Pink Floyd and Nick Cave. Right now, I’d say they are my biggest influences. But at an early age, it was metal and punk rock.”
Another highly unexpected inspiration that played a major role in the evolution of Mates of State’s music was Ira Glass, host and producer of public radio’s This American Life. When Glass mounted a touring production of the show in 2007, he invited Hammel and Gardner along. But instead of organ, Gardner found herself playing piano.
“We really felt a sense of accomplishment as a band being able to play alongside Ira and the calibre of his writers,” Hammel said.
“We were playing big, sit down, 3,000 seat capacity theatres in cities like Boston, New York, Seattle and Chicago. For the shows, we played maybe five or six songs, just piano and drums. That kind of gave us the impetus to start mixing up our own tours a little bit. We could still have tours where it would just be straight up rock with the two of us. But there could also be tours where there might be various configurations of instruments to portray our sound in ways that would be different and fun.
An example of the latter came when Mates of State toured over the summer. For newer songs off of Re-Arrange Us, the duo became a quartet with the addition of brothers Anton and Lewis Patzner, the cellist and violinist from the California “string metal” band Judgement Day. When Hammel and Gardner play tonight at The Dame, multi-instrumentalist (and Mates of State tour manager) Chris Cosgrove will sit in for roughly half of the performance.
Truth to tell, Hammel and Gardner have two permanent additions to their touring entourages that most audiences never get to see - their daughters Magnolia and June. It seems the family that plays together does indeed stay together.
“We definitely have an untraditional lifestyle,” Hammel said. “But it’s not that odd or strange, really. We are able to do what we love and still have a family. That’s not to say we don’t go through a lot of the same tribulations of anyone else who works, is an artist or has a family.
“It’s really the only way we can make things work. If Kori and I were in different bands, it would be very difficult. I know we wouldn’t want to be away from each other for the amount of time it would take to properly work with those bands. So we feel fortunate. We feel satisfied. But we’re never complacent. We want more.”
Mates of State and Brother Reade perform at 8 tonight at The Dame, 367 East Main. Tickets are $10 advance and $12 at the door. Call (859) 231-7263.

I am a native Kentuckian and freelance journalist who has been writing about contemporary music for the Lexington Herald-Leader since 1980. I have not a lick of honest musical talent myself, just a pair of appreciative ears for jazz, folk, blues, bluegrass, Americana, soul, Celtic, Cajun, chamber, worldbeat, nearly every form of rock 'n' roll imaginable and, when pressed, the occasional tango and polka.